Documentary / Currently in postproduction / Expected release in 2020
Wandering without return makes us dive into the daily realities of a young Rohingya and the living ghosts of a population in exile. Mohammad, 15, lives with his mother and little sister in a makeshift shelter, lost in a sea of fragile huts in the Kutupalong refugee camp in Bangladesh, the largest refugee camp in the world. Around him, the specter of wandering, waiting, disappearing. In this place almost out of time and space, is it still possible to exist?
As a Muslim minority in Burma (now Myanmar), the Rohingya have been persecuted for decades. However, it is only in 2017 that the fate of this people has been unveiled in the media. On August 25, 2017, Burmese security forces launched a massive military operation against the Rohingya people in Rakhine State, in the west of the country. In the days that followed, a tide of refugees landed in Bangladesh: up to 50,000 people in one day. Since then, several exiles report the horrors they have experienced in Burma: sexual violence, torture, burning of entire villages, killings of their family members…
In August 2018, two years after the beginning of the large-scale massacres, a United Nations (UN) commission of inquiry accused Burmese army leaders of genocide, crimes against humanity and war crimes. To date, these atrocities have forced the exodus of more than 700,000 people to Bangladesh. In the south of the country, several refugee camps have been formed. Located in Cox’Bazar district, Kutupalong camp is the largest one, hosting more than 600,000 refugees. Moved by this major yet unrecognized humanitarian crisis, the team of MÖ FILMS took up the challenge to go there to collect testimonies of refugees and raise awareness about their fate.
The film will be released in 2020. The issue of the Rohingya people will also be depicted in a multidisciplinary exhibition produced by MÖ Films and presented at the Musée national des beaux-arts du Québec, from January 2020 to January 2021.
The shooting of this film was made possible through a generous contribution of citizens during our social fundraising campaign on KissKissBankBank in May – June 2018. It is also supported in post-production by the Conseil des arts et des lettres du Québec, the Canada Council for the Arts and the MELS funds.